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Books books books!

Books books books!

One thing that has not changed about me over the school closure period is my love of books.  Since March 13th I’ve read A LOT of books (see the images at the bottom of this post).  The ones I want to talk to you today about though are Young Adult novels that I listened to on my phone using our school board’s SORA app.

Need more information about how to use Sora?  No problem.  Just send me an email or a text on Microsoft Teams, and I’ll send instructions!

I really loved this book on audio.  It is a multiple point of view perspective. The story is told from the point of view of both protagonists: Lena and Campbell.

These two high school girls would not have likely had much to do with one another, but the events of one Friday night force them to help each other and at least try to understand one another.

Campbell is new in town, having just come to live with her father because her mother had to go away.  She has to work at the canteen for the football game at her school and will likely spend her weekend on her own.  She’s not looking forward to it.

Lena just wants to meet up with her boyfriend, Black.  She’s going to hang out with him and try not to let her cousin or her dad find out.  They both have no idea that they will spend their Friday night together, but the violence that erupts around them forces them together.

I gave this one 5/5 stars on Goodreads.com

 

 

Emani is a 17 year old mom who loves her baby girl, Emma, and her abeula (grandmother) and her cooking.  She had her baby at a very young age, so she’s had to learn responsibility and control and how to manage her time and her heart.

Emani is a good student, but college applications are due and there’s something going on with Abeula, and the new boy in her homeroom wants to be her friend and it’s all a bit confusing for Emani.

I loved this on audio also because the author reads the story herself, and her voice is perfect for Emani, of course.  The story is definitely for young adults (special permission) but it’s one that most of us can relate to because for me it’s about that time in our lives when we have to ask ourselves what we truly want in life, what’s important to us.

 

Two books I’m reading now are:

 

 

 

 

 

 

 

 

 

 

Other books I’ve read (mostly adult novels) include:

(“The Giver of Stars” and “A Long Petal of the Sea” were books I read with Mrs. Reid! We had a mini book club!  It was fun.)

 

We Are Writers! – Prompts for June 15-19

We Are Writers! – Prompts for June 15-19

Last week we had some excellent writing happening!  I loved reading your treehouse designs, your restaurant menus, your stories, your “Life Playlists” and all of your blogposts!

I’m hoping that this week we can write up a storm because there are only 2 weeks left of school I’m going to try to write a blogpost about the books I’ve been reading.  I hope you will too. To get you thinking and talking about BOOKS, I’ve collected a few BOOKTALK prompts!

Here they are:

BookTalk Writing Prompt #1

 

BookTalk Writing Prompt #2

 

BookTalk Writing Prompt #3

 

 

And then there’s the regular writing prompts for those of us who want to write something else!

 

Writing Prompt #1: This can be a letter to anyone.

 

Writing Prompt #2: If you want to invent a sport that doesn’t have jet packs, go for it.  Just make sure to describe your sport in good detail. What’s the object of the game?  How many players/teams?  What equipment needed. Where is it played.  How do you win? 

 

Writing Prompt #3: Don’t forget to describe with vivid imagery (sensory details help the reader understand WHY you are grateful for these things).

 

Writing Prompt #4: Indulge by creating your fantasy food!  Make it something so fattening that you gain weight just describing it! 

 

Writing Prompt #5: A story prompt for our storytellers.


 

I can’t wait to see what you write!

Writing in June! – Prompts for June 1-5

Writing in June! – Prompts for June 1-5

It’s June!  It’s June!  And writing in June is even better than in March or April or May because . . . . it’s JUNE!

 

This week I have lots of prompts for you, and once again I hope I can inspire some of your amazing writing in a variety of forms: opinion essay, nonfiction piece, descriptive writing, story or narrative writing, reflections on life, “How To . . . ” or procedural writing, etc. etc.

I want to remind you that I LOVE reading your writing and I LOVE to comment on your writing, but you can comment on your peers’ writing too.

You can comment on writing too! 

It is so nice to get a comment from another student.  That’s the WHOLE IDEA of the blog, so please please comment on someone else’s blog this week.

I also want to remind you to save the photo for the prompt you choose to your computer and upload it into your blog please!  Then you can give your blogpost a great title instead of “Prompt #2” or whichever number.

Here we go! Five Writing Prompts for June 1-5!

Writing Prompt #1 – Write this story!

 

 

Writing Prompt #2 – Watch the Ted Talk and then write about a Lollipop Moment that you experienced.  OR, just comment on what Drew Dudley means by a Lollipop moment and why they are Everyday Leadership moments.

 

Writing Prompt #3 – Respond to the following video.  Say whatever this makes you notice, feel, or think.

 

 

Writing Prompt #4 – How much do “LIKES” mean to you?

 

 

Writing Prompt #5 – Persuade Me!

And that’s it for this week!

Happy writing!  Happy reading!  Happy commenting!

Writing Prompts: Week FOUR!

Writing Prompts: Week FOUR!

Are you ready for WEEK FOUR?  I am!  I’m excited to read more of your amazing writing, Grades 7 and 8!  You have shown great creativity in your blogging in the past few weeks.

I would like you to remember that writing is both an art and a skill.  As artists, you are free to create, use your own voice, develop your own style, and show readers your unique thoughts and ways of expressing!  As a skill, you need to remember to follow the rules of writing:

  • use correct spelling
  • use punctuation correctly
  • use left alignment and paragraphs correctly (Grade 8 is expected to use paragraphing correctly with dialogue as well)
  • reread your writing to check for clarity and for errors
  • make corrections using what you know about sentence structures, spelling, punctuation

FOR GRADE 8 Students:

I am so excited about this week’s prompts because in addition to the four prompts I’m providing below, I’m going to give you a link to over 1000  Writing prompts that may inspire you to write an ESSAY!

Some students have asked for ESSAY PROMPTS!  Well, here they are:

NY Times Learning Network Writing Prompts

Remember that an essay has a ‘thesis statement’ or a statement in which you clearly state your opinion OR the main focus of the essay.

Remember that an essay has a:

  • introduction (thesis is usually in the introduction)
  •  body paragraphs to support your thesis: each paragraph is on a separate topic of support
  • concluding paragraph (includes a restatement of your thesis in different words AND a call to action)

Grade 7 students are welcome to write an opinion piece in response to the above prompts, however they are not expected to use the formal opinion piece structure.

For all students!

Writing Prompt #1

 

Writing Prompt #2

 

Writing Prompt #3

 

Writing Prompt #4

Happy WRITING!  I can’t wait to read your blogs.

Well Aren’t YOU Punny!

Well Aren’t YOU Punny!

As promised, I’m creating a blogpost that you can comment on with your FAVOURITE PUNS!

What’s a pun, you ask?  Simple.

Puns are a type of figurative language that are
often, but not always, humorous. A pun uses
words that have two or more meanings in order to
create an alternate interpretation. 

For example:

Right!  So you see what I mean?  Positive has a ‘double meaning’ here.  It relates to the positive charge that a battery has and the positive feeling people get. So, it’s funny, right?  Well, sort of.

 

 

 

 

 

 

Here’s another example:

What kind of cats like to go bowling?

Alley cats.

 

OK, you didn’t like that one?  How about this one, eh?

If you didn’t get this one, maybe you aren’t aware of the fact that the mushroom is a member of the FUNGUS species.  ‘Fungi’ is the singular form of the word ‘fungus.’  So, the mushroom is actually a fungi.  But he’s also inferring that he’s a FUN GUY!  Right?  Get it, get it, huh?

OK, there’s a reason they say that puns are the lowest form of humour.  They’re DAD humour.  They’re Uncle Fred humour!  Maybe we groan, but really, inside, we’re laughing. (Maybe.)

So, here’s your chance to make us all laugh or groan or both!  Put your favourite pun in the comments or make your own blogpost with your favourite puns!

 

P. S. If your pun is in the form of an image, you’ll have to use your own blogpost to share it as you can’t upload an image into a comment box.

Week Three – Writing Prompts

Week Three – Writing Prompts

I am LOVING your blogposts, ladies and gentlemen!  You are amazing writers, and I applaud every single one of you who has attempted a blogpost in the past two weeks.

I’m doing my best to give you feedback on your blogs.  If I haven’t responded yet, I promise that I will!

Here are our writing prompts for this week.

Remember:

  • You can write whatever you want!  You don’t have to use the prompt.
  • I’m providing lots of choices so that something might inspire you.  You can choose one prompt, or none, or all of them. 
  • If you don’t want to post on the blog, but you’ve written, please send me your writing in an email.
  • Try to add a comment or two on other people’s blogposts!

 

 

 

Writing Prompt #1: You don’t have to choose the celebrities shown.  Choose your own: Nick Jonas? Kevin Hart? Rhianna? Who would you like to speak at our school?  Don’t forget to explain WHY that celebrity would be an excellent choice.


 

Writing Prompt #2: What fashion should be AGAINST THE LAW?  Don’t forget to TELL US WHY!

 

 

 

Writing Prompt #3: This one explains itself!

 

 

Writing Prompt #4: Tell this story!

 

 

I can’t wait to see what you write!

 

Reading Response Journals: The Why, the What, and the How

Reading Response Journals: The Why, the What, and the How

The WHY:

  • Responding to our reading helps us, even forces us, to think more deeply about our reading.  When we have to ‘say something’ about the ideas in our books, we have to think beyond just what the text says.  The reader has to infer, connect, judge, question, determine importance, or visualize.
  • Responding to our reading is curriculum based.  The Ontario Reading Curriculum for all grades state that students need to ‘make meaning using implied and stated ideas from the text’, to ‘analyse the elements of a narrative text’ and so on . . .
  • Responses give me, the teacher, a sense of how my students ‘think through’ the concepts and ideas presented in their books.  Conferences do that too, but writing your thoughts can spark more in depth thinking and a more complete organization of your thoughts, helping you to present your thought processes with greater creativity and accuracy.
  • Given the amount of time we spend in class doing independent reading with self-selected texts (which I believe is so important to developing a habit of reading for pleasure and for understanding), I, the teacher, need to hold myself accountable for that time spent.  I need to know that it’s truly growing ‘thinking readers.’
  •  Reading and assessing responses in students’ journals helps me to plan instruction based on what I learn about students’ thinking processes.  I can see what they’re doing well, and what they still need to learn.

The WHAT:

  • A good response to reading is much more than a summary.
  • A good response contains ORIGINAL THOUGHTS in the form of inferences (reading between the lines), questions, connections (only when they help you to understand the text), judgements (about the characters, the settings, the ideas the author is presenting to his/her readers), etc.
  • A good response also contains evidence to support those original thoughts.  You can’t just say that a character is brave or kind without backing it up with some EVIDENCE.
  • A good response contains EXPLANATIONS that connect the ORIGINAL THOUGHTS to the EVIDENCE.
  • I can do sample responses till the cows come home, but the best way to show you what a good response looks like is to show you STUDENT SAMPLES.  That’s because everyone thinks, “Well of course SHE can write a good response!  She’s the TEACHER!”
  • Below, you will have the chance to read some excellent responses from students in my classes now, this year – both 7th and 8th graders.  I also want to show you WHAT is good about them, so I’m going to colour code them for you.  RED will show student thinking (inferences, questions, connections, etc.).  BLUE will show evidence to support the thinking.  Green will show explanations that connect the thinking to the evidence.  
  • Before each response, I’ll write which sections of the Reading Response Journal Guide the response addresses so that you can see how these students used the ideas and questions in the guide.

Here goes!

*You will notice that each of the following responses follows the format presented in the Reading Response Journal Guide: Page numbers read; Title of the book; and the Date.

* You will also notice that summaries are kept to a minimum and used only to help the reader of the response understand the original thoughts that the student is presenting in the response.


Talk about characters: Describe one of the characters in your book by identifying one or more character traits for your character.  Support your ideas with evidence from the book.  Do you like this character? Why? Why not? Did the character do anything to surprise you? Why were you surprised?

p. 0-303                              Flame in the Mist by Renee Ahdieh                        January 28, 2018

The one character that really intrigues me in this book would be the main character, Mariko.

At the beginning, she strikes me as the type of girl who was different than any other. In that day and age, a girl’s purpose was to be married off and entertain men. Through her thoughts, I had gotten the feeling that Mariko would not accept this as her future if she had had a choice.

For example, “ . . . a play Nobutada could then smugly subvert, as her elder. As a man. Try as she might, Mariko could not help the resentment simmering beneath the surface.” (p.9)

As the book moved forward, Mariko’s convoy was massacred and – being the only survivor – Mariko decided to dress as a peasant boy. At first I had questioned why she had done so, but then I thought that she knew she would be more successful in surviving and following through with her plan if she was thought to be a man.

I think the biggest qualities I admire of Mariko is her determination to find out who wanted her dead and bravery to do it alone.

Instead of going to find help, she made it her goal to track the Black Clan, a violent group of thieves by herself because she suspected it was them. As a result, she ended up being their newest recruit, although they treated her fairly poorly.

I think she wanted to prove that she was more than just a girl. I think she wanted to make her point by using her intelligence, secrecy, and bravery that she could do anything a man could.

Not only was she trying to prove it to her family, who was very well known, respected, and wealthy, but also to herself. After all, she had been on her way to being married, so that made me think that she was never really given a chance to express her opinion and thoughts to her family about how what was considered proper to every other human on the planet, was considered unfair to her. Or, perhaps she knew that not matter what she says, she would get nowhere.

I feel that she sees this as an opportunity to prove herself. To earn the respect she desires from her family if she could accomplish something that only a warrior was expected to do – track down a killer.

Mariko is a character who really makes the story interesting and anticipating. What I am waiting for is when the Black Clan finds out her real identity! If they were the ones who sabotaged her convoy, then surely if they ever find out the truth they would kill her on the spot.

By Heather (Grade 8)


Talk about the plot: Think about the types of conflict in most narratives: man vs. man, man vs. nature, man vs. self, and man vs. society.  Which of these best describes the main conflict(s) in your book? Explain your answer giving examples from the story.  

p. 0-144                                     Requiem  by Lauren Oliver                               January 29, 2018

 

In my book so far, there has been a lot of conflicts. The main type is society vs. man. The invalids aren’t accepted by society because they believe in love and happiness. They are thrown into high security jails or are forced to run away. The cured think that love is a deadly disease that they need to get rid of. But the invalids think that the cured people are bad guys because their beliefs are different. They prove the invalids right because the the regulators find the invalids in the wilds, they try to kill them. They set fire to their camps and shoot them, and the invalids lose the little amount of food, shelter, and family that they have.

I don’t understand why they can’t try to live in peace. If you believe in love, you’re insane, but if you don’t, you’re cruel. That’s how they look at each other. The cureds haven’t even tried to make peace with the invalids. The cureds believe in what they believe in and they aren’t going to change to make the invalids happy.

I know that they’re never going to have peace with each other. But why not try?

Another conflict issue this book has is between the invalids and the scavengers. They have both been discarded by society. The invalids just want love and happiness. The scavengers have been shunned by society because of the same reasons the invalids are, but they’re more hardcore and vicious. If the scavengers find out that there’s a camp of invalids in the area, it becomes a full-blown blood-bath. But why not team up against society together? It won’t happen though because they’re different than each other. They also have different beliefs. The cureds think they’re the same, but the scavengers will kill whoever and whatever to get their own way. The invalids won’t do that.

And there’s also a much simpler type of conflict too – man vs. man. Alex vs. Julian. There’s a known feud between them because Alex used to love Lena and now Julian does. I think the reason why Alex doesn’t like Julian is because he thinks that Lena left him to die and chose someone else. So he doesn’t like Julain because he had Lena first. Those are just a few of the different conflicts in my book.

by Keira (Grade 8)


Talk about the theme: Why do YOU think the author wrote this book?  What important ideas or issues did he/she want the reader to think about? Explain your answer by using examples from the story. What did you learn about the world from this book?  Did it inform you about history, art, politics, geography, science, music or any other discipline?  How did the book teach YOU an important life lesson?

p. 1-300                                 Refugee by Alan Gratz                                       January 30, 2018

 

I think the author wrote this book to show the reader what people have gone through in the past and that we still have these problems today. I knew how terrible the wars were in the past, but this book showed me that the same thing is still happening today.

He showed me this by telling three stories; Josef a Jewish boy in 1930, Isabel, a Cuban girl in 1994, and Mahmoud, a Syrian boy in 2015. They were all different people, in different times, and in different countries, yet their stories were the same. They all had to leave their countries due to war or dictatorship, they were all struggling to survive with what little things they had left, they all travelled by boat, and they all had a goal to reach a certain country so that they could be safe and free.

I also liked the fact that the author made the stories so similar to make you realize that nothing has changed. Sometimes when I read this, I got mixed up with the stories and it makes me think about war that so many people had to go through the same thing over and over again, just so that one guy could have his perfect world.

I am so fortunate to have what I have and that I don’t have to go through all of the things they did. I think the author’s goal was to tell people that we need to change something or more people will suffer the same fate. That people have to change their view on the world and that people are more important than power.

by Nick (Grade 7)


Talk about characters: Describe one of the characters in your book by identifying one or more character traits for your character.  Support your ideas with evidence from the book.  Does this character remind you of yourself? Explain how you are alike.

 

Talk about the plot: Can you make a prediction about what will happen next in the story? Explain why your prediction makes sense.

p. 1-57              Harry Potter and the Goblet of Fire by J.K. Rowling         January 30, 2018

One of my favourite characters in this book is Hermoine Granger. She is fun to read about, not only because she is described so well, but also because when I read about her, she reminds me of myself.

Hermione is one of the main characters and is best friends with Ron and Harry. She is intelligent and likes to be in charge. I’d call this trait ‘confidence’ because she knows what she is doing and does it well. For instance, whenever Harry arrives at Ron’s house, she greets him and then tells him to go get the table ready for dinner, because Mrs. Weasley needs to speak to George and Fred. When she tells someone what to do, they do not argue, because they know she’s right. In these parts where Hermione takes charge, this is when she reminds me of myself. I also like to be in charge and know what’s going on because I can relax when I know that everything’s in order.

I think that Lord Voldemort will soon regain enough strength to attempt to kill Harry. I say this because Lord Voldemort is hiding right now, one of Harry’s teachers prophetised something of great evil coming soon. “The Dark Lord will rise again with his servants great and more terrible than ever before.” (p.238 in the last book).

At first, Harry didn’t understand but there have been more clues that Lord Voldemort will come back. For example, Harry’s legendary scar hurts when evil is near and during the summer, he felt it. Harry realized that no one was near, but that something is coming.

Another clue that the Dark Lord is regaining strength is because at the world Quidditch Cup (a wizard sport), Voldemort’s sign of evil was emitted into the sky. This hasn’t happened for thirteen years because his evil followers have been hiding. But, if they’re back again, that means that he will be as well.

The last reason that I think Voldemort will soon have enough power to finish Harry off is because in the beginning of the book, there was a scene where two men killed an innocent man. The only person that would do that that I know of is the Dark Lord. That means he has some power and may soon have enough to battle Harry. This is why I predict that Voldemort will soon have enough power, and try to kill Harry.

by Kate (Grade 7)


Talk about characters: Describe one of the characters in your book by identifying one or more character traits for your character.  Support your ideas with evidence from the book.  Do you like this character? Why? Why not? Did the character do anything to surprise you? Why were you surprised?

Talk about the theme: Why do YOU think the author wrote this book?  What important ideas or issues did he/she want the reader to think about? Explain your answer by using examples from the story. What did you learn about the world from this book?  How did the book teach YOU an important life lesson?

Get Personal:  Talk about any personal reactions you had during your reading of this book. What made you angry, sad, happy, afraid, etc.? What made your heart wrench? What irritated you? Explain how the book inspired these reactions.

p. 1-137                      Everything, Everything by Nicola Yoon                    January 29, 2018

Maddy Whitier doesn’t leave her house, and never has for seventeen years. With SCID (Sever, Combined, Immunodeficiency Disease), she’s allergic to everything. Even the smallest thing, like the one ingredient in the soap used to wash the dishes could be deadly.
She has only ever had contact with two people in her life; her mom, and her nurse, Carla. She has a great bond with both mom and her nurse, Carla. She has a great bond with both of them, with all the time that she has on her hands.
A couple days later, a strange truck parks in the driveway of the house next door. A girl, a father, and a mother jump out of it. Then, him. Tall, lean, and wearing all black – it was love at first sight. When they start texting each other online, the more she wants to come face to face with him, the more she wants to experience the outside world.

This book consumed me from the very beginning. I loved how instead of the first few pages being an introduction of herself, she talked about all the books she has read. It made me very interested, and I asked myself, “How did she have the time to read all these books?”
Another thing that made me fall in love with the book is her relationship with her mother. It’s such a warm and sweet relationship. For Maddy’s birthday, just the two of them spent it together, cuddling and watching their favourite movie, baking cakes, and playing board games. But lately, the more she is texting him, the more she wants to go outside and meet him. It’s making her act more rebellious toward her mom and it’s impacting their relationship. One day, Maddy meets with the boy next door – messing everything up. Her mom finds out and bans her from seeing him. Of course, Maddy ignores this and keeps texting him.

Even though I’m not that far into the book, I think I see a really good theme. Sometimes you need to take risks for the people you love because it’s worth the pain. Maddy keeps risking herself for him, as she thinks he is worth it. Doing this already put some ‘pain’ between Maddy and her mother. And if Maddy goes outside again, something could seriously go wrong. But you know it’s true love when you would put yourself at risk for someone.

So far, I love this book. The words Maddy uses to think are so detailed and uniquely phrased, making reading this book even more enjoyable. I really can’t wait to read more of this book!

by Brooklin (Grade 8)


Talk about characters: Describe one of the characters in your book by identifying one or more character traits for your character.  Support your ideas with evidence from the book.  Do you like this character? Why? Why not? Did the character do anything to surprise you? Why were you surprised?

Talk about the plot: Think about the types of conflict in most narratives: man vs. man, man vs. nature, man vs. self, and man vs. society.  Which of these best describes the main conflict(s) in your book? Explain your answer giving examples from the story.  

Talk about the setting: If the setting of your book is particularly important to the story, explain why the story depends on this setting.

Talk about the theme: Why do YOU think the author wrote this book?  What important ideas or issues did he/she want the reader to think about? Explain your answer by using examples from the story. What did you learn about the world from this book?  Did it inform you about history, art, politics, geography, science, music or any other discipline?  How did the book teach YOU an important life lesson?

Talk about the genre: If this was your first time reading this genre, would you say you are inspired to read other books in this genre? Why? Why not?

Get Personal:  Talk about any personal reactions you had during your reading of this book. What made you angry, sad, happy, afraid, etc.? What made your heart wrench? What irritated you? Explain how the book inspired these reactions.

 

p. 1-450                                    Hunger by Michael Grant                                  January 29, 2018

The concept of surviving a whole new unknown world without adults or anybody over the age of fifty is what has been drawing me into this complex story of survival and adventure. It’s a unique plot, but I always wonder what brought the author to write such an eye-opening story. One idea that keeps re-entering my mind is this catastrophic and life-changing event or circumstances show the true qualities that lurk beneath someone’s typical demeanour or attitude that they use everyday.
In the story, what they call the FAYZ (Fallout Alley Youth Zone) has had a major affect on the children of the city, Perido Beach. They become leaders and stand up to the challenge, or they are haunted by fear and the disappearance of their parents very often. Losing the people close to you is very, very hard, but some people become hopeful, and that hope empowers them to work hard to find a way out, or a happy ending; people like Sam.
Sam has done nothing but support the people that need his help, and fight for what is right. He is solving problems that no one knows the answers to, but most of all, he has become the leader that will get them out of this mess. People like Quinn are the opposite. He became scared and distant, although I can’t judge him for that because that’s probably what I would have done. He lost his goofy, happy-g0-lucky personality, and he can’t get over his missing parents.
I cannot forgive Quinn for switching sides whenever it is convenient for him. When things are not looking good for Sam, he joins Caine, but when Caine is struggling, he crawls right back to Sam. That is unforgivable, disloyal, and not only that, cowardly.
The FAYZ also shows me the good and evil that are in a person. I think everybody has a little bit of good and evil in them, and in a crisis such as the FAYZ, one overpowers the other. Take Drake Merwin a an example. Before the FAYZ, he was a troubled kid. He dreamt of hurting other humans and animals. Now, as the FAYZ lasts longer, he gets worse. He has taken lives, and finds it entertaining. Some would call him a sociopath, someone without a conscience or remorse. He took the FAYZ as a chance to free his true self that was always restrained by the adults of the previous society.
I think this book has changed me, not only as a reader, but as a person. As a reader, I have gained a new respect for sci-fi/fantasy novels. It has tempted me to try other novels of this genre. As a person, I have learned to never take for granted the privilege that I am very lucky to have now. When reading this book, privileges such as my supportive family, my education, and a nice hot pizza will never go unnoticed.

by Olivia (Grade 8)


The HOW:

  • Use sticky notes to jot down thoughts during the reading of the book so that you don’t forget what you’re thinking, wondering, realizing, etc.  Use those sticky notes as a ‘jump start’ to your response.  Find evidence for the thoughts you jotted down.  Explain why those thoughts arose.
  • Use sticky notes or the reading journal to record passages (parts of the text and the page number) that made you think.  This will be your evidence when you write your response.  
  • Use the Reading Response Journal Guide that is stapled into the journal itself.  The questions are there to spark your thinking, just as it did for the students who wrote the responses above.
  • If you are struggling with response journal work, please feel free to attend extra-help sessions.
Poetry as Response to Reading: Two Poems About Books that Blew the Top Off My Head!

Poetry as Response to Reading: Two Poems About Books that Blew the Top Off My Head!

Sometimes a book hits you hard.  Maybe it just comes at the right moment in your life. Maybe it’s just brilliant and you read it and feel like the top of your head just blew up.

The Sky is Everywhere by Jandy Nelson blew the top of my head right off!  I read it just after my sister passed away, and it’s about a girl whose sister has just passed away.  It’s a love story, and a grief story, and when I finished it I had to tell the world about it.  Or at least write something about it, so I did.

By the way, these books are on the “Special Permission” shelves in our classroom library.

 

 

Nothing But Sky  

by Rhonda Deighton

 

Finished a book last night

that tore through my heart,

cut it up in a thousand little pieces;

paper and ink cuts

so deep that I wondered if

the author

had been snooping around my life,

following me with a web cam and audio

equipment.

 

Finished a book last night

that planted a little sunshine in my heart,

lit it up, making me glow from the inside out,

and I fell asleep

in a bubble of warmth

as if the author was singing to me,

softly,

blowing the warm breeze of her breath

all around me.

 

Finished a book last night

that took my heart in its papery hands

and laid me at her feet

and ripped her away from me

over and over again

until there was nothing left of her

and nothing left of me

until there was nothing

but sky


 

The Chaos Walking Trilogy also blew the top off my head.  It is one of my all-time favourite trilogies by the now very famous Patrick Ness.  He wrote A Monster Calls also, which has already been made into a movie (this one is also in our class library). I was enchanted by these books, couldn’t put them down.  After I finished the series, I decided to write a sort-of poem about them.

 

Read These Books 

by Rhonda Deighton

 

Read these books:

if you love dogs

if you love a hit-you-blindside plot twist

if you have ever asked yourself, “What would, what wouldn’t I do for someone I loved?”

if you want to fall in love, vicariously or otherwise

if you like a main character who is driven not by a strong self-concept but by a strong sense of good

if you like powerful female characters

if you want to learn new words, some of which cannot be read out loud to a class full of middle schoolers

if you enjoy laughing. Out loud.

if you have an interest in studying the machinations of politics

if you have an interest in studying the machinations of war

if you want to understand evil

if you’ve ever wondered if good and evil can exist in the same heart

if speculating on your responsibility towards humankind is something you’ve ever done before

if you’re interested in discussing or debating whose needs come first: individual or collective community?

if you’ve ever put your own needs aside for the good of others

if you relish a creative new world in your dystopian novels

if you are a reflective and spiritual thinker

if you have ever asked yourself, “What binds us as human beings?”

if you wish to contemplate the notion of oneness, of one voice

if you like ‘edge of your seat,’ heart-thumping suspense

if you love an epic love story

if you want to know more about what it means to be a leader

if you’ve ever felt the love of a father . . . or a mother . . . . or a child

if you delight in superb writing

if honest dialogue makes you smile

if you are a conceptual thinker

if you love horses

then,

you really should.


Have you read any good books lately?  Try writing a poem about it.  Let the poem reflect how it made you feel, what you loved about it, what it made you think about . . .

Your poem doesn’t have to be as long as these are, just give it a try!

 

Just wanted to let you know that these poems were written a few years ago, probably around 2011-2012.  My students are well aware that I LOVE READING, but I wondered if they knew that I also really LOVE WRITING, too, so I decided to share some of my own writing.

Reading Strategies 3: A Close Reading Approach for Nonfiction

Reading Strategies 3: A Close Reading Approach for Nonfiction

For the past several weeks in Room 211, we’ve been focussing on nonfiction reading.  Nonfiction texts present a variety of different types of challenges to readers.

Those challenges can include:

  • Vocabulary: Unfamiliar vocabulary, especially if the text is in a content area that the reader has little prior knowledge about can make reading nonfiction a challenge.
  • Concepts: Nonfiction text can be challenging because it contains many concepts – some of which may be entirely new to the reader – packed in to fewer sentences (dense text).
  • Structures: Text structures in nonfiction can include: cause-effect, problem-solution, compare and contrast, describe and explain, etc.. Becoming familiar with these text structures can help the reader.
  • Bias: Some nonfiction text includes obvious or not-so-obvious biases that the reader needs to keep in mind while reading.
  • Graphic information: the use of charts, maps, graphs, images (photos, diagrams, etc.) can be both helpful and confusing.  Readers need to be able to navigate thoughtfully, making connections between the text and the graphics.

In this excerpt from one of our Grade 7 Science textbooks, there are several terms that might be unfamiliar to the reader, such as: bioinvasion, native, species, ecosystem, and lamprey.  There are also terms that take on a new meaning because of the context, such as: introduced, foreign, natural enemies, and dramatic.  Some terms also require background knowledge from other disciplines, such as: European settlers!

Although this textbook does an excellent job of introducing terms and concepts in a way that supports the reader in learning new concepts (introduces new terms and explains their meaning, uses bold print to help reader identify new terms, etc.), the challenge to interpret and comprehend nonfiction texts in everyday newspaper and magazine articles can be much more challenging. That’s where Close Reading Strategies are most helpful.

 

Close reading is a strategy that involves:

  • Changing the pace of reading by slowing it down, sentence by sentence, paragraph by paragraph, stopping frequently to break down the ideas, clear up confusion, absorb information
  • Reading with a pen/pencil in hand to make margin notes (annotation), usually making sure that they ‘square-in’ or ‘circle’ the sections of text they are questioning or responding to
  • Using tools to decipher unfamiliar vocabulary, including the use of dictionary definitions (have a dictionary or electronic device on hand), use of context and sentence structure
  • Asking different types of questions while reading (and noting those questions): questions that note confusion, questions that clarify content, questions that arise due to perceived bias, questions that are aimed at inconsistencies, errors, or ‘pot-holes’ (lack of information/explanation) in the text
  • Making comments (and noting those comments) by reacting to and inferring from the ideas in the text, such as agreeing, wondering, disagreeing, elaborating, drawing conclusions, making judgements, etc.
  • Rereading sections of text to ensure understanding, especially confusing, challenging, or dense text sections.

Whenever I teach a new strategy, I use a process that educators call “the gradual release of responsibility” which means that the teacher models the strategy first, then the class works together to use the strategy, then students work in small groups or pairs to use the strategy, and finally students are ready to use the strategy independently.  In both Grade 7 and 8, we started with shared texts.  I read aloud and modelled the process for students by thinking aloud and showing students how I made notations in the margins as I read.  We then worked as a class on several newspaper and magazine articles, and finally I asked students to use the strategy independently!

 

I was more than pleased to see the results of our lessons so far on close reading in both Grade 7 and 8.  Students in all classes worked independently to do a ‘close reading’ of an article on ‘being cool in middle school.’

In the examples below, you will see students questioning the validity of the article (questions about dates, publisher, and the study itself), questioning the assumptions that are made about who is cool and why, commenting by adding their personal reflections on the ideas in the text – both in agreement and disagreement, and wondering about information that the article might have omitted – purposefully or otherwise.  In other words, students are being critical thinkers and critical readers.  They are reading to understand the author’s ideas and perspective, and at the same time, they are capable of questioning the author’s ideas and perspective.

 

I am so proud of YOU!

YOU are becoming INDEPENDENT readers and THINKERS!

 

 

Both of these students questioned the date of the article, wondering if the results of the study would still be valid given the fact that it’s a 2014 article!

 

 



 

 

There is no doubt that using Close Reading strategies in this reading of text helped students to understand the details of the text in a way that would not likely happen with a quick, cursory reading of the text. The stopping, rereading, thinking, and noting all helped students to really dig deeply into the text.  In addition, students make personal connections and reactions to the text that might help them better understand and evaluate the biases or points of view expressed in the article.

Close Reading strategies will serve students well in all kinds of reading experiences they are likely to encounter in their lives today and in the future.  Whether it’s reading a challenging textbook, reading newspaper articles, magazine articles, opion-editorial pieces, legal documents, or reports at home or at work, close reading strategies are an essential tool in helping students to comprehend, accept, critique, reject, and determine the value, truthfulness, and validity of what they read.

 

READING IS THINKING!

Reading Strategies 2: Reading Narrative Texts

Reading Strategies 2: Reading Narrative Texts

HOW ARE CHESS AND FOOTBALL LIKE READING?

Before you can play chess, you have to know the value and function of each of the pieces.  The ‘King,’ of course is the most important piece.  If lost to your opponent, it’s game over – checkmate.  But, it’s the ‘Queen’ who holds the most power.  She’s the protector of her King; she’s the all-mighty traveler across the checkered board, moving diagonally, laterally, vertically, any number of spaces at a time.  The pawns, the Rook, the Knight, each has his own methods, his own power and strategies to protect the King.  The board itself must also be understood – white squares and black, diagonal lines, vertical and lateral lines, L-shapes, are all important configurations, and a good chess player sees all the past action, the potential moves, the trajectory of the game being played.

You could say the same of the football game that I still strive to understand.  In order to understand the game, you have to know what each player is supposed to do out there on the field: the quarterback, the running back, the receivers, guards, and centre.  You have to know what the goal of the game is, the rules of play.

The same applies to the good reader. That’s why, in the early part of the year, I ask students to learn about the basic elements of a story or a narrative (the fancy-dancy adult word for story). The protagonist and the antagonist (your King and his enemies), the setting, point of view, conflicts, the way the plot curves from exposition to rising action, climax, resolution and falling action, are like the pieces on the chess board, the board itself, the whole ‘game’ in a sense.  Knowing these elements can and will help students to appreciate how the story works, how each element is essential for the story to move ahead and work as a whole.

Knowing is not enough though.  Knowing the function of each piece on the chess board, what the goal of the game is, the rules, will only truly make sense when you’re playing, or watching, a chess game.  You have to immerse yourself in the game in order to truly understand it. That’s when you get to see the pieces in action, on the route to their goal.  You need to APPLY your knowledge in order to fully understand it.  And of course, the same goes for understanding football.  You have to actually watch a game, or play one, for it all to make sense.

And so it goes for reading too.

In Grade 7, we applied our knowledge of the elements of a narrative to short stories, like “Charles” by Shirley Jackson, “Thank-you Ma’am” by Langston Hughes and other short pieces of fiction.  We also applied our knowledge to our novel studies of “Touching Spirit Bear” by Ben Mikaelsen and “Freak the Mighty” by Rodman Philbrick.

In Grade 8 we applied our knowledge of the elements to short stories like “The Fan Club” by Mona Raynard and “The Veldt” by Ray Bradbury and other short stories.  We also applied our knowledge of the elements during our literature circle studies of books like: “Speak” by  Laurie Halse Anderson, “The Absolutely True Diary of a Part-Time Indian” by Sherman Alexie, “Among the Hidden” by Margaret Peterson Haddix, and many other great novels (see this post for the details).

 

WHERE ARE THE STRATEGIES?

You’ve got the book or the short story, and you’ve got the knowledge of the elements, but how do you approach putting the two together?  That’s where the strategies come in.  Students in both 7th and 8th grade have been shown how to use the elements in conjunction with:

Sticky Note Strategies for Narrative Texts:

The chart below shows how students can APPLY their knowledge of the elements of a narrative text in conjunction with the reading strategies outlined in the Ontario Language Arts Curriculum, such as: use prior knowledge, visualize, make inferences by using stated and implied ideas, make connections to extend understanding, ask questions, reread to clarify understanding, notice language elements, react, judge, analyze, and synthesize.

In order to write a good sticky note the reader must answer the questions or follow the instructions  which are meant to help students think about the text being read in light of what they know about narrative text.  Just like the football or chess expert who is watching the game might cheer at a particularly brilliant play or move, speculate what might happen later on in the game based on what’s happening now, judge and even criticize the actions of the players, the reader begins to see the inner workings of the novel or story, how it might progress and why, and essentially what the author is trying to tell the reader through the use of the elements.

Open Response Notes

Three Ways of Thinking

Literal: Your thought was stated directly in the text, like a fact from the text.

Inferential: Your thought was not stated directly but there is evidence for it in the text; it is hinted at, suggested, or implied.

Critical: Your original thought, opinion, connection, or critical question related to the text.

Language Notes

  • Notice when a sentence or a phrase really stands out to you as strong, interesting, or evocative (emotional) – or reread to look for one.
  • Copy that sentence on a sticky note.  Put the quotation in quotation marks, and add the page number in parentheses at the end.
  • Explain why you chose this sentence. What is your response or connection to it?
  • What do you notice about how the author has written this sentence? What makes it strong or interesting?

Conflict Notes

When you notice a conflict in the story, make a note:

  1. Which type of conflict best matches this situation? (Human vs. self? Human vs. Society? Human vs. Nature? Human vs. Human?)
  2. What does the character want?
  3. Who or what is getting in the way?
  4. What caused this conflict?
  5. How might this conflict be resolved?

Vocabulary In-Context Notes

  1. Copy the sentence or phrase that includes the unfamiliar word onto the sticky.
  2. Box the unfamiliar word.
  3. Underline clues in the sentence (the context) or the word itself (e.g., root, prefix).
  4. Write down your prediction of the meaning of the word.
  5. Look up the word and check your prediction agains the actual definition.

Mood Notes

For mood notes:

  1. Pick a paragraph (or two) of text that has a noticeable mood (gives you a feeling).
  2. Write down 5 words or phrases that the author uses to convey this mood.
  3. At the bottom, name the mood.
  4. Optional: Write more about it.

Examples of moods in literature: uneasy, joyful, suspenseful, chaotic, peaceful, angry, cold, cheerful, dark, disappointment, hopeful, intense, jubilant, mellow, mischievous, melancholy, refreshed.

Theme Notes

Theme=issue+what the author is saying about the issue

After you finish reading a section of text:

  1. Make a list on your sticky note of all the issues or topics you think the author is bringing up in this section.  Some examples of issues involve abstract ideas like: hope, neighbourhood, friendship, identity, oppression, and love.
  2. After you make the list, circle the one you think is most important to this section and jot a few words about why you think this is a theme for the section and what the author is saying about this issue.

Say What? Notes

  1. Find a section that confused or surprised you.  Write down your initial thought. (Code: SW?)
  2. Use one of your chosen strategies (reread, ask and answer questions, think aloud) to reconsider the passage. Write the strategy you used if possible.
  3. Write down any new thoughts and questions about this section of text.

Character Notes

  1. Notice when you find clues in the text about a character’s traits and write down the clue.  Say what you inferred about the character from that clue.
  1. Notice when you find clues about a character’s motives (what he/she wants) and write down the section of text that provided the clue. What did it reveal to you about the character? Explain.

Character Notes Cont’d

3. Notice when a character shows a flaw in his/her character. Write down the part of the text that provided the clue. How will that flaw stop him/her from achieving his goals?  What would have to happen to change this character?

4. Notice when a character changes, and guess what has caused the change.  Write down the clues from your text and your inference.

 

Reading Response Journal Strategies

Like the sticky note strategies, the questions and suggestions below are designed to help students think through their reading, to record their thoughts, and go deeper into the underlying meanings of the story.  Students use the same reading strategies as above for their sticky notes, but in a journal they have room to dig even deeper into one of the elements (or more than one) using several strategies at once.  Students might choose to discuss character, for example, asking questions that lead to inferences, reacting to a character’s actions or words, making judgements and predictions based on their inferences and so on.

 

 

Reading Response Journals

Format:
Every new entry in your response journal should be clearly defined by:

The date: Right hand side
The title of your book: Centered at the top of your page
The page numbers that you are responding to: Left hand side
Quotes taken from the text: In quotation marks, write the FULL quote from the book with the page number in parentheses right beside the quote
Length: Each entry should be at least 3/4 to 1 page in length.

Below, you will find ideas for what to write about in your response journal.

Characters:

-Describe the character of your protagonist (main character) or one of the other prominent characters in your novel. Support your ideas with evidence from the text and an explanation of how the evidence shows the character traits you’ve identified. (Ask yourself, what is this character’s strengths? Weaknesses? What should this character learn about himself, the other people in his/her life, or life in general?)
-Do you like this character? Why or why not? What advice would you give this character? –Why does this character need to hear this advice?
-Can you relate to this character? How and why? Does this character make you angry, sad, happy, annoyed, or does this character inspire some other emotion in you? Does this character remind you of another literary character or someone you know?
-Which character learned the hardest lesson in your novel? Which character changed the most from the beginning of the novel? Was this change necessary in order to solve the main problem?
-Talk about the author’s craft by telling how he/she made the characters believable, likable, unlikable,

Setting:
-Is the setting of your book important to the story? Why? Why not?
-How did the author introduce you to the setting? Can you picture it in your mind? What words or phrases were the most powerful in describing the setting?
-Does the setting of your novel remind you of a place that you know? How are the two places similar? If the setting does not remind you of any place you know, would you want to live in this setting? Why or why not?
-What freedoms or limitations does this setting impose on the characters? Does it limit their thought or movement or their ability to be themselves? Does it provide them with freedom to think, move, and be themselves? Explain.

Plot:
-Which events in the novel were the most important events, the ones that inspired the characters to change their behaviour or that changed the characters’ traits in some way?
-Did the plot of this novel remind you of other novels you’ve read? How were they similar and different?
-Did your novel end with a satisfying conclusion? If so, how was the end satisfying? If not, what were you hoping to find out?
-Was the novel paced well? If so, how did the author manage to keep your interest? If not, would you say that there were events that were not necessary? Were there boring parts? —Describe these events and explain why they were not needed. Which parts were boring to you?

Plot and Conflict:
-What was the main conflict in this novel? Identify the type of conflict (human vs. human, human vs. self, human vs. society, human vs. nature, or human vs. technology) and describe the conflict. Explain what you think might have to happen in order to resolve the conflict.
-If you’ve finished the book, which event do you think was the turning point or the climax? This is the event that resolved the conflict and was likely the most intense moment of the story (usually near the end of the book)? How did it resolve the conflict?

Point of View:
-Which point of view or perspective did the author choose to tell this story (first person, second person, third person limited, third person omniscient, third person objective)?

-Why do you think the author chose this point of view? How did it affect the story? How did it affect you as a reader? Explain.

Theme:
-What was the main theme of this novel? What issues does the story address and what is the author saying about those issues (e.g., issue=bullying, love, freedom, growing up, etc.

-An author might be saying that “you have to stand up to bullying if you want it to stop” or that “bullies are people who have been bullied themselves.” Those would be themes.)
-How did the author reveal the theme? Explain how the author might have used the characters, events, point of view, conflicts, etc. to show the theme. Was it a powerful theme? Do you agree with the author’s message?

Writing:
-Talk about the writing itself. Find a passage (a section of the text) that is powerful to you in some way and explain what the author did with language to make it powerful. Did it make you visualize or laugh or shock you, horrify you or make you want to cry? Was it beautiful? Explain.
-How did the author develop the characters? Was it through their voices? Was it through their actions? How did the author make you care about the characters?
-How did the author create suspense? Note and quote a suspenseful part of the novel and explain how the author created that suspense.
-What is your favourite line or sentence in the novel? Explain why you liked it.
-Did the author use literary devices in the novel? Note the use of foreshadowing, hyperbole, metaphor, symbol, simile, etc. and explain how it affected you as a reader.

Get Personal:
-Talk about any personal reactions you had during your reading of this novel. What made you angry, sad, happy, afraid, confused, etc.? What made your heart wrench? What irritated you?
-Did you laugh or cry at any specific point in this book? Which events or ideas, which dialogue or inner thoughts from the characters made you laugh or cry? Explain why.
-Did this book shock you? Will it change you forever? Explain why.
What did you LOVE or HATE about this book? Explain.

Reflect:
-Reflect on your experience of reading this book. Is it a familiar genre for you or a new genre for you? Would you read another book in this genre? Did you read it quickly or slowly? Did you find yourself having to reread parts that were confusing or beautiful or shocking?
-Will you try to find other books by this author? Why? or Why not?
-Were there aspects of this book that were challenging for you? Was the vocabulary difficult? Was the point of view challenging? Was the format challenging? Was the length challenging? Explain the challenges this book presented and how you managed to work through those challenges.

 

 

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